"I loved you once."

Greetings m'dears! Today me, Hedda (Hamlet), Maja (Ophelia) and Erika (usually Bernardo/Osric, but today our photographer) went to a castle and had a photoshoot, which resulted in this; also, a sneak peak at Hamlet's and Ophelia's costumes. Enjoy.~

(I strongly recommends listening to Of Monster and Men's Little Talks while watching this photoset because the lyrics fits very well imo.~)

(click the pictures for larger versions)

Loonies in a forest

Good e'en! Yesterday, after all the materials were bought, I, Hedda, started to work on the straitjacket that will be used in the play; and, about five hours later, it was finished. So today I and Maja set out to photograph this piece of art (in character, of course).

Our original plan was to take the pictures next to an old, abandoned asylum, but as we arrived on the site we discovered to our deep horror that it had been replaced with apartment blocks!!11!!!11! A plan B didn't exactly exist, but after a while of wandering around in far too high heels we found a nicely haunting forest to use as photography site instead.~

Anyway, it all resulted in this:

Two sour-cream packets and a few belts

lé key of awesomness 
(or the most amazing
key-ring ever)

 

 

Yesterday, me and Hedda bought two packets of sour-cream, and one packet of popcorn, and if you put the sour-cream packets next to each other, they were the exact same size as the popcorn packet. This could be the most amazing finds ever, so therefore I need to mention this, before moving to what we have done today.

Well, firstly, we - me (Maja) and Hedda - had a meeting and collected the key to the premises we will have our repetitions in - this means that we actually will start practicing for real now, which is awesome.

and the belts - aren't they pretty?

Then we went shopping, in search for belts and shirts to make a straitjacket of. This took a while, or, finding six belts that seemed suitable for making a 19th century straitjacket out of, took a while. After searching half - okay that might be a bit of an exaggeration - of the second hand stores in Stockholm, we finally made our way home, and that was our day.

Meeting and female Osric ~

Well hello there!

Erika is here once again to inform you, while you follow our journey, that we had a meeting today. If you could call music, people talking about non Hamlet related stuff and so on for a meeting, that is. But at last our dear Ophelia, with help from our wonderful Hamlet, could get some points through all the chaos.

Old (but not too old) photo of
Hamlet and Ophelia

I then opened up my computer to write some more “Irish-Osric” and can now say that I think I’m done with her lines. No, I didn’t write it wrong. Osric is now a girl because I suddenly looked up at Hedda and asked “Can we make Osric a female?” and she answered, without any hesitation, “Yes!”

So that’s what happened today. My Irish still sucks but I will be doing my own version of Irish and say I did my best. 

Hope you found this post entertaining. I will now leave you to your own life’s.

Until next time my dear friends!

Within the hollow crown, part I: Hamlet

"For within the hollow crown 

That rounds the mortal temples of a king

Keeps death his court"

Good e'en! Your faithful Hedda here to present a new series of posts: Within the hollow crown. This series, as you might have suspected, is to deal with the various crowns featured in the play (yes, there are quite a few). (I also really wanted a reason to use that Richard II-quote.)

So, first off is Hamlet's crown, because I happened to finish it today. It's mostly constructed by wire (general note: working with wire hurts), but detailed with silver pearls in shapes of skulls and chains. I haven't even tried to cover up the wire because I wanted to give it a sort of rough look, perchance matching the skulls, but also matching the way Hamlet as a character seems sort of closed off and repellent at times, but also occasionally being quite dangerous.

Now, the skulls are there because, well, it's Hamlet, and I just couldn't resist the temptation of putting skulls on his crown. They also contributed to the sort of rough look; as did the chains. They also looked sort of cool.

I was tempted to hang lots of chains all around the crown in various lengths, but 1) I wanted to keep the crown fairly simple and more chains sort of removed that, and 2) I didn't want a shitload of chains jingling all over my head while acting.

Thus, it ended up like this: (click it for a bigger picture)

yes I do realise that maybe stripes wasn't a brilliant choice of background
but it looked cool ok

And now I think I've ranted about this crown for long enough, so adieu for now.~